1. "For Your Love" 2:31
2. "I'm Not Talking" 2:33
3. "Putty in Your Hands" 2:18
4. "I Ain't Got You" 2:00
5. "Got to Hurry" 2:33
6. "I Ain't Done Wrong" 3:39
7. "I Wish You Would" 2:19
8. "A Certain Girl" 2:18
9. "Sweet Music (stereo)" 2:30
10. "Good Morning Little Schoolgirl" 2:46
11. "My Girl Sloopy" 5:38
U2 - Pride - FULL SHOW blu-ray preview Cologne (Köln) 18.10.2015
With or without you this is going to happen.
If all fans would work together as ONE it could be so much better but I think it is safe to say that this will be the best U2 multicam from the European '15 tour anyway (ok, let's see how my Cologne night 1 and Paris multicams work out and then we see...). It is nowhere close to my best multicams I ever did but it will be GREAT ;-)
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
01. You're In America -00:00
02. Bad Talk -04:08
03. Twilight -06:57
04. Prayer -10:22
05. Cleveland, Ohio -21:28
06. Nightmare -24:58
07. When You're Movin'-33:18
08. Paradise -36:35
Bonus (Live, November 1973, radio show):
09. Cleveland, Ohio (extended version) -43:51
10. Interview -51:47
11. Hollywood Star (unreleased track) -52:39
12. Prayer -57:15
13. Interview Part 2 -1:07:43
14. When You're Movin' -1:09:21
All music by Granicus, all lyrics by Woody Leffel.
- Woody Leffel - vocals, acoustic guitar
- Wayne Anderson - lead guitar
- Al Pinelli - rhythm guitar
- Dale Bedford - bass guitar
- Joe Battaglia - drums
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If u like this album please buy it for the full experience
A1 Evil Woman-00:00
Written-By -- D. Waggoner, R. Wiegand, L. Wiegand
A2 White Eyes-03:05
Written-By -- R. Wiegand, L. Wiegand
A3 Thoughts-07:15
Written-By -- D. Waggoner
A4 Da Da Song-11:57
Written-By -- D. Middlemist
A5 Busy Day-15:16
Written-By -- L. Wiegand
B1 Time To Make A Turn-17:42
Written-By -- L. Wiegand
B2 Rollin'-20:26
Written-By -- R. Wiegand, D. Waggoner
B3 Listen To The Bop (Dedicated To Chuck Berry)-23:43
Written-By -- D. Waggoner, R. Wiegand, L. Wiegand
B4 Gonna Leave A Mark-26:48
Written-By -- L. Wiegand
B5 Sleepy Woman-29:37
Written-By -- L. Wiegand
David Wagner - Lead Vocals
Dick Wiegand - Lead Guitars
L. Wiegand - Bass
Kink Middlemist - Keyboards
Denny Craswell - Drums
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
A1 One Night In Eagle Rock-00:00
Written-By -- A. Siggs*, J. Loseth*, R. Robinson*
A2 All Around You-07:46
Written-By -- A. Siggs*
A3 One Of Your Kind-11:43
Written-By -- A. Siggs*
A4 Heia Valenga-17:11
Written-By -- Siggs*, Helge Groslie*, Loseth*, Lorck*, Asperud*, Robinson*
B1 Dying Sun-18:49
Written-By -- A. Siggs*
B2 And It's Music-25:06
Written-By -- A. Siggs*
B3 Richmond Express-28:22
Written-By -- J. Loseth*, R. Robinson*
B4 Maureen-31:59
Written-By -- A. Siggs*
B5 The Skeleton-38:12
Written-By -- Siggs*, Helge Groslie*, Loseth*, Lorck*, Asperud*, Robinson*
Bonus:
Rain 2000-40:43 (Robinson,Aas)
Blond-44:31 (Robinson,Aas)
Macumba-50:07 (Robinson,Williamson)
Midnight Sadness-54:00 (Robinson,Loseth)
Arranged By -- Titanic
Bass -- Arica Siggs
Drums -- John Lorck
Guitar -- Janny Loseth
Keyboards -- Helge Groslie*
Percussion -- Chappy Asperud*
Vocals -- Arica Siggs (tracks: B2), Roy Robinson Arranged By -- Titanic (3) Bass -- Arica Siggs Design [Cover] -- Gerard Targowla Drums -- John Lorck Engineer -- Dick Palmer* Engineer [Assistent] -- Steve Taylor* Guitar -- Janny Loseth Keyboards -- Helge Groslie* Percussion -- Chappy Asperud* Vocals -- Arica Siggs (tracks: B2), Roy Robinson
Nihonjin - Far Out (1973) Full Album whit Bonus Tracks
The flow of psychedelic that happened in the latter half of the 1960's visits Japan at once and has extended. At that time, the power to involve demonstrated the power of the counterplan enough as cultures such as music and the arts and plays. An original custom of Japan and the thought of the Orient exactly appeared enough to the music of psychedelic in Japan. Or, the deriving music exhausted the musician in various Japan as one flow. A lot of bands in Japan influenced by the music of the United States and Britain for the situation of Japanese music at that time existed and the band in known Japan existed as a result of digesting those elements also in the world now. Members of the band in various Japan created original music in the one flow while studying hard mutually valuing the flow. And, it was one band to which this "Far Out" had started also establishing an original route in the flow of such music.
It was at 1971 that they were formed. It is said that they were performing music that exactly receives the influence of Hard Rock at that time and makes Rock a center. However, the music character has been improved while gradually taking the element of psychedelic. The band in a lot of Japan made original music of Japan absorb the music such as psychedelic, Blues, and Rock and created without limiting the activity such as bands of Pink Floyd, Black Sabbath, and psychedelic of the other to the band in Japan and influencing and limiting it to them.
In the back, this band to which Fumio Miya[&*!#]a is mainly formed will change the form into "Far East Family Band". It is known as a band of the antecedent to the arrival there. However, the listener who knew this band became in the minority also in Japan now. However, it is likely to be able to count as one of the bands that support the dawn of the music of Japan very important band.
Involved power and flow of "Too Many People" create one space. The culture and the thought of the Orient in Japan might be reflected well though it looks like the sound of initial Pink Floyd and King Crimson. The progress of the sound of the float in the space exactly feels the sound of psychedelic and a few Blues. The guitar of Eiichi Sayu will exactly invite the listener to the world of psychedelic.
"Nihonjin" can be translated into "Japanese". The entire flow of the album is united. The culture and the thought of the Orient are reflected in music as for this tune. It advances with quiet power and progress.
In Japan at that time, such a lot of bands existed. If the situation of music the meaning of the existence of this band and at that time is considered, it is likely to be able to enjoy it as one of the bands to which Japan is psychedelically related though this band certainly becomes a mother's body and it connected with Far East Family Band.
Review by Kazuhiro from Prog Archives.
http://www.progarchives.com/album.asp...
Songs / Tracks Listing
1. Too Many People (0:00)
2. Nihonjin (18:00)
Bonus Tracks
3. Birds Flying To The Cave (37:54)
4. Saying To The Land (42:31)
5. Moving, Looking, Trying, Jumping (51:00)
6. Wa Wa (52:35)
7. The Cave Down To The Earth (55:30)
8. Four Minds (1:01:54)
9. Transmigration (1:07:52)
The Beatles - "Atlanta Stadium" Atlanta, GA. August 18, 1965
01. 00:00 "Introduction"
02. 03:02 "Twist and Shout"
03. 04:21 "She's a Woman"
04. 07:36 "I Feel Fine"
05. 10:11 "Dizzy Miss Lizzy" (incomplete)
06. 12:00 "Ticket to Ride"
07. 14:31 "Everybody's Trying to Be My Baby"
08. 17:19 "Can't Buy Me Love"
09. 19:52 "Baby's In Black"
10. 22:37 "I Wanna Be Your Man"
11. 25:34 "Help!
12. 28:39 "I'm Down"
Live: Atlanta Stadium
9.37pm, Wednesday 18 August 1965
The Beatles' only visit to Atlanta lasted around 10 hours, but was remarkable for one key reason: monitor speakers on the stage allowed them to hear themselves play - a rarity during the whirlwind of Beatlemania.
The group landed in Atlanta's Hartsfield-Jackson Airport at 2pm, having flown in on a chartered aeroplane from Canada. Although crowds of fans were at the airport to greet them, the plane taxied to a remote area where they discreetly boarded, along with their entourage, three limousines.
The Beatles were taken to the baseball stadium, where a locker room had been designated as their dressing room and headquarters. Some tables and chairs had been assembled in the area, and temporary beds, known locally as 'cots', were also provided. Ringo Starr, amused at the word, climbed into one and sucked his thumb loudly.
The hired caterers offered to make The Beatles hamburgers, but they requested corn on the cob instead. Their meals also included top sirloin, leg of lamb and pork loin, along with the corn, pole beans, fruit and apple pie. The group was so impressed with the quality of the food that they signed the china plates for the caterers.
18 August was a hot day, and as there was no air conditioning in the stadium Paul McCartney requested a large fan for the backstage area, although it made little difference. A number of local VIPs were present, and The Beatles posed for photographs and signed numerous autographs.
Atlanta Stadium - later renamed the Atlanta-Fulton County Stadium - had only been recently opened. Tickets for the show had gone on sale two months earlier, with field level seats costing $5.50 and upper level ones $4.50. Fans had begun arriving at the stadium from 4.30am on the morning of the show.
A press conference was held at the stadium from 5pm, and was attended by around 150 reporters.
After the press conference The Beatles were presented with the key to Atlanta by the mayor, Ivan Allen, who proclaimed them honorary citizens.
The stadium doors opened at 6.21pm, and the 34,000 ticket holders began to arrive. Three barrier lines had been erected by police between the stands and the field, and 150 policemen were on hand to keep the fans from charging the stage.
An Atlanta company, Baker Audio, had been hired to supply the sound system for the concert. They brought all their available speakers, which they clustered on the field at first and third base.
John Lennon and George Harrison surveyed the venue from the third base dug-out, un-noticed by fans. They were joined by Neil Aspinall, who told them how to get to the stage for showtime, and where their car would be positioned at the end. Lennon and Harrison then returned backstage where The Beatles changed into matching white shirts and blue suits.
The concert's comperes were Tony Taylor and Paul Drew of WQXI AM. The first act was Brenda Holloway with the King Curtis band, followed by go-go dance troupe The Discotheque Dancers, Cannibal & The Headhunters, and Sounds Incorporated.
The Beatles took to the stage at 9.37pm, running from the dug out as the crowd erupted in screams. They played 12 songs: Twist And Shout, She's A Woman, I Feel Fine, Dizzy Miss Lizzy, Ticket To Ride, Everybody's Trying To Be My Baby, Can't Buy Me Love, Baby's In Black, I Wanna Be Your Man, A Hard Day's Night, Help! and I'm Down.
By 1965 The Beatles had become used to being unable to hear themselves play. FB 'Duke' Mewborn, the boss of Atlanta hi-fi store Baker Audio, decided to give the group something that had never been done before: monitor speakers on the stage, pointing towards the group, to allow them to hear their voices and instruments.
It wasn't just on stage that the sound was different. The state-of-the-art setup on the field included four Altec 1570 amplifiers, each giving 175 watts of sound, which in turn powered two stacks of Altec A7 speakers. Although unremarkable today, in 1965 it was an unheard of amount of power for a pop concert.
The difference was noted from the stage, with Paul McCartney exclaiming after She's A Woman: "It's loud, isn't it? Great!"
Being able to hear themselves enabled The Beatles to play tighter than usual, and they were delighted with the results. Afterwards Brian Epstein suggested that Mewborn deal with the sound for their other shows, but the offer was turned down.
After the concert ended The Beatles sprinted to their waiting limousine. Accompanied by a police escort, they were taken to the airport. The group's aeroplane took off just before midnight, bound for Houston.
I do not own the copyright to this recording so if it needs to be removed, I will remove it.
If you like this album please buy it for the full experience
01. It Wasn't For You-00.00(Stuart Cowell-Tony Priestland)
02. Hall Of Bright Carvings-05:32(Cowell-Priestland-Lee-Toomey)
- Theme
- Dusty High-Value Hall
- The Burning
- Theme
03. I Can't Change-17:12(John Lee)
04. It's All Up With Us-22:55 (Cowell-Priestland-Lee-Toomey)
05. Fuschia-29:04(Tony Priestland)
06. Open The Door Homer [Bonus]-35:29
07. Woman Of The World [Bonus]-39:00
08. Liverpool [Bonus]-43:31
Stuart Cowell-Guitars,Organ,Piano
Tony Priestland-Sax,Flute,Oboe
John Lee-Bass
Jim Toomey-Drums,Percussion
